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The Lady And The Unicorn
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One question that has arisen from this is 'So what comes next?' My standard answer is 'Not my problem', but if I was forced to answer I would probably suggest something similar to what people call 'The Dark Ages', when Marvel went bust, gimmicks were everywhere, and big name artists like Rob Liefeld came to the fore.
We get a little hint of this future in today's comic, mainly due to the artwork by Art Adams. I don't think he's usually roped in with people like Liefeld and Jim Lee, but his hugely detailed, super-stylised work, especially when drawing women, comes as a bit of a shock after reading a quarter century of Kirby-inspired superheroics. I must admit that I dropped out of superhero comics around this time, mostly because I was a student and couldn't afford to buy them anymore, but whenever I popped into a comic shop during my time of absence I can't say I was hugely impressed by what I saw. Looking back now, I can appreciate this style of art as something exciting and dynamic, even though I don't really like it myself, but what I can't get over is how turgid the writing would become. This issue's written by the great Bill Mantlo, for example, but the pages are packed with heavily Claremont-inspired dialogue that's drenched in metaphors and high emotions that, for me at least, is really difficult to read. Again, I know other people like it, but this style of prose has made some of the recent comics (especially "Beauty And The Beast"!) hard to get through!
The actual storyline, as far as I can make out, sees Dagger wanting to join the circus but Cloak thinking she's wasting her talents. There's also a smarmy boyfriend and Cloak is... maybe evil? The story includes that really annoying thing where superheroes, who live in a superhero world where weird things happen all the time and there is literally a person called Nightmare who controls dreams and a version of Satan who steals souls, just shrug off Terrible Feelings and Dire Omens as "just a bad dream". Come on guys, this is your ninth issue, get with it! Also, Dagger seems to have forgotten that Cloak doesn't eat, which seems a bit insensitive. Anyway, some mobsters turn up and there's a big gunfight, so the circus fights back in an appropriately circus-like way, with strong-men and human cannonballs. The post-Marvel Age period was known for its "Grim 'n' Gritty" nature, and that is very much on display here when the gunfight between mobsters, clowns various and an elephant ends, as it so often does, with the accidental death of a unicorn. Heavy stuff! Dagger zaps the unicorn-murderers and then she, Cloak and the smarmy boyfriend teleport away to continue on their neverending quest to do whatever it was they were meant to be doing all along. And that's the lot, except for one last panel which - finally! - tells us why this comic is in a blog about Doctor Doom. As Douglas Wolk recently pointed out in an episode of his (excellent) Voice Of Latveria podcast, Doom popping up right at the very end of a comic is something that happens an awful lot. Sometimes he's used as a big final twist, like in Strange Tales #167 and Fantastic Four #196, while other times, such as here and in Champions #15 he's used as an enticement to come back next time. It's certainly worked here, as we'll be back in a couple of weeks to see what happens when Doom meets Cloak and Dagger, but before then we're off to see yet another Secret Wars flashback with Spider-man!
link to information about this issue
posted 18/6/2021 by Mark Hibbett
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